Video: The Hague & Partners
The Association Littéraire et Artistique Internationale (ALAI) was founded in 1878 in Paris by Victor Hugo, who served as its honorary president. From the start, the Association set itself a clear mission: creating an international convention to protect the rights of writers and artists. That goal was achieved eight years later with the adoption of the Berne Convention. Since then, ALAI has continued to play a leading role in shaping international copyright law.
Hosted by the Vereniging voor Auteursrecht (VvA), the Netherlands national group of ALAI, the 2026 Congress brings the global copyright community to The Hague for three days of debate, research and exchange.
The theme of the 2026 edition is Copyright and Free Expression in the Age of Algorithms. Copyright has always supported cultural expression by protecting creators while also safeguarding freedom of speech. But today, algorithms, AI systems and digital platforms shape how creative works are produced, shared and discovered, and this puts the traditional balance under pressure.
At the centre of this year’s congress is the question how to preserve room for free expression while ensuring that the economic and moral rights of creators remain respected. The programme explores this balance from many angles.
Are you an early-career copyright scholar or practitioner (within five years after your PhD defence or final bar admission)? Then this is for you. The Next Generation Event 2026, a half-day side event of the ALAI Congress in The Hague, brings together young professionals to explore two cutting-edge topics at the intersection of copyright and freedom of expression. Join the discussion, share your perspective, and connect with peers.
The international human rights framework for freedom of expression continually evolves, and so does the international copyright framework. The keynote sets out the relationship between copyright and freedom of expression law as expressed in international law. It also discusses important contemporary challenges in the light of algoritmic society, setting the stage for deeper dives during the conference.
Short presentations introduce the important ways in which copyright law safeguards freedom of expression. This includes the delineation of protected subject-matter (in relation also to copyright as a driver of creative production), limitations & exceptions, and through enforcement (remedies, including territorial scope). A panel discusses the increasing importance of balancing copyright and freedom of expression, drawing on national approaches. Is the current framework appropriate to provide for this balance, for example as regards current ways of digital creation (digital building blocks of expression, generative AI, etc.)?
Artists need to be able to reap the economic benefits from their creations so that they can continue creating. At the same time, the artistic process involves taking inspiration from the works of others, commenting on the works of others and using works of others as a component of or starting point for new creation. To foster culture, there is a societal interest to accommodate both aspects of artistic creation when defining the scope of copyright protection. Striking the right balance becomes increasingly difficult now that technologies for disseminating, accessing, copying, adapting and morphing of content are ever more available, affordable and easy to use. In this session speakers from different parts of the world examine how this balancing act plays out in their jurisdictions, taking three fictitious cases of creative re-use as a starting point.
Building on the analysis in the previous session a panel of speakers will discuss the future of copyright and artistic expression. How should the concepts of fair use, fair dealing and exceptions for quotation, parody and pastiche evolve to protect and foster artistic expression in an era of unbridled re-use, GenAI (aided) content and crumbling democratic values? Should a balance be struck within the copyright system (through e.g. the threshold of originality, exceptions, three-step-test, duration, remuneration rights) or externally by letting the fundamental rights of freedom of artistic expression limit the scope of copyright protection? Should the approach be different for copyright and related rights?
The public sector including the legislative, judicial and executive branches in all their manifestions produces and collects vasts amounts of information. Often this is subject to copyright but the Berne Convention also gives states significant leeway in limiting protection. In an age where technologies enable wide access to public sector information (eg as part of open government programmes), and right to information laws are increasingly viewed as part and parcel of the right to freedom of expression, this session explores how transparency can be reconciled with interests of right owners.
Text and data mining (TDM) for AI training is the starting point of a development process that can lead to powerful generative AI systems (GenAI). As these systems have the potential to replace human creativity and change human creative practice, the question is how copyright law could be used as a regulatory tool to support human free expression. With regard to the TDM process itself, the evolving ‘right to research’ under freedom of expression law has become an important factor in the policy debate. Moreover, the question arises how copyright can ensure fair remuneration for the use of human works in AI training – for both authors and rightsholders, including small repertoire owners. Finally, the quality and cultural diversity of TDM resources must be considered. The future generation of “GenAI natives” (not knowing a world without GenAI) may use GenAI routinely as a tool to obtain templates for their own creativity and free expression. If AI training resources are not sufficiently diverse, the risk arises that certain human expressions are no longer visible in GenAI output – and simply forgotten and lost when human acts of expression are based on GenAI templates. The session explores these different dimensions of the TDM and AI training debate.
Capabilities of generative AI systems to produce all manner of outputs are improving incredibly fast. What this implies for copyright and freedom of expression is the topic of this session. Would the human literary and artistic discourse be enriched or impoverished if copyright protection were available for 100% machine-made AI output? Could the grant of copyright enrich the literary and artistic landscape or would it hinder productive remix and reuse? What about the more common instances of human-machine collaboration, where human authors engage in prompt writing or modifications of AI output? When is the originality threshold met and what transparency measures are necessary to identify original human expression? Finally, the session will turn to infringement risks. Does AI output go beyond unprotected style imitations and general concepts? If so, how can copyright holders take measures against the unauthorised copying of their protected expression? How to distribute the burden of proof?
For ALAI 2026, the welcome reception and the congress dinner are included in the registration fee.
The excursion on Saturday 20 June, as well as the partner events on Thursday 18 and Friday 19 June, can be booked during registration. More details will follow.
The ALAI 2026 Congress will take place in The Hague, the international city of justice and peace. It is home to institutions such as the International Court of Justice and the Permanent Court of Arbitration. The city is easy to explore on foot or by public transport, with both a historic centre and a nearby beach.
The main venue is the Marriott Hotel The Hague (Johan de Wittlaan 30, The Hague), located between the city centre and the Scheveningen beach area. The hotel offers modern conference facilities and comfortable rooms.
From Amsterdam Schiphol Airport (AMS), trains depart from the arrival hall to The Hague Central Station every 10-15 minutes and take about 30 minutes. From Rotterdam-The Hague Airport (RTM), you can take the metro or bus to Rotterdam Central Station and from there the train to The Hague (about 35–40 minutes in total). For train times and tickets, see website of the Dutch railways.
From The Hague Central Station, the Marriott is a short ride away by public transport. You can take tram 16 towards Statenkwartier and get off at the stop Gemeentemuseum/Museon. You can also take tram 1 towards Scheveningen Noorderstrand and get off at World Forum. From these stops, it is only a few minutes walk to the hotel.
If you arrive by car, the Marriott has a private parking area.
Use the website NetherlandsWorldwide to check whether you need a visa or any other travel documents to enter The Netherlands.
The Hague offers a wide range of accommodation. Below are four hotel suggestions close to the main venue. All are within walking distance from the Marriott.
Prices are indicative for a single room per night (for 17-19 June 2026), excluding breakfast and subject to availability and change.
Located in the same building as the congress.
Approximate price from € 180. About 300 rooms in total.
About 250 metres from the Marriott (around 4 minutes’ walk).
Approximate price from € 180. Around 215 rooms.
About 850 metres from the Marriott (around 12 minutes’ walk).
Approximate price from € 110. Around 45 rooms.
Also about 850 metres from the Marriott (around 12 minutes’ walk).
Approximate price from € 160. Around 175 rooms.
early career legal professional or academic (including Post-doc, PhD or Master level student, within five years after obtaining a PhD or final admission to a legal profession), are welcome to participate in this half-day side event on Wednesday 17 June 2026, which will revolve around two cutting-edge topics at the intersection of copyright and freedom of expression.
After a joint opening of the session, two think tanks will be formed by participants with a special interest in one of the following topics:
Each think tanks will consist of two “types” of participants:
Wednesday 17 June
13:00 – Doors open (coffee and tea)
13:15 – Joint welcome and overview of the afternoon
13:30 – Groups split
13:45 – Keynote speech about the topic by the moderator of each group
14:00 – Three to four minute pitch by the selected participants on their take on the problem
14:30 – Think tank session lead by the moderator (part I)
15:30 – Break
15:45 – Think tank session lead by the moderator (part II)
16:30 – Joint closing of the day
17:00 – Time to check-in to hotel
Welcome reception ALAI Conference (see conference website)
Think tank I will be led by Dr. Carys J. Craig, Professor of Intellectual Property Law at Osgoode Hall Law School (York University, Toronto).
Think tank II will be led by Dr. Peter Teunisssen, Assistant Professor of Private and Intellectual Property Law at Radboud University (Nijmegen).
Both moderators will also speak at the main ALAI event. Through them the insights and outcomes of each think tank will be integrated in the main event.
Applications for the role of selected participant and registration as an additional attendee can be submitted to nextgeneration@alai2026.nl. The application deadline is 15 February 2026. All applicants and subscribers will be notified mid-March 2026.
Participation in the Next Generation Event is exclusively reserved for attendees of the main ALAI congress and comes at no additional charge. Please note that separate registration for the main ALAI event is required. All participants are expected to cover their own travel and accommodation expenses, but will qualify for the student fee of the main conference. Therefore please report your application/registration for the Next Generation Event on your registration form for the main event. Invoicing will then be postponed until after the selection and registration process.
Further details about the program and application and registration procedure can be found here.
ALAI invites all early career legal professional or academic (including Post-doc, PhD or Master level student) with a special interest in one of these topics to apply or register for their preferred role in the event.
The application deadline is 15 February 2026.
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Dirk Visser has been a Professor of Intellectual Property Law at Leiden University since 2003. He studied law at Leiden University between 1988 and 1992. From 1992 to 1996, worked on his doctoral thesis in Leiden and at the Max Planck Institute in Munich. In 1997, he received his PhD from Professor D. W. Feer Verkade with his thesis entitled ‘Copyright in access, on the exploitation rights of the author in the era of digital information and network communication’.
Visser has also been practising as a lawyer in Amsterdam since 1996. In 2015, he founded his own firm Visser Schaap & Kreijger.
Visser has been a Board member of several societies and foundations in the field of intellectual property law, including the Dutch group AIPPI, the Wittem Group and the Trademark Law Institute. He has previously been a member of the Editorial Board of various journals in this field. He is a co-author of a copyright handbook and has written and edited various other books.